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Nikon 24-70mm 2.8 - VERDENS BILLIGSTE?
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Pent brukt. Selges som på bildene. Sylskarp, rask AF og nydelig bokeh! Ny pris var rundt 26-30.000, selges for 2700,-
This 24-70/2.8 was Nikon's best and most expensive midrange zoom until the 24-70/2.8 VR came out in 2015. This lens is a superb performer today and weighs and costs less than the newer VR version, lacking only VR (vibration reduction). People who buy f/2.8 zooms usually use them to shoot sports and action, for which VR does nothing. VR only helps for subjects that aren't moving, which is why this lens remains popular today.
See my Nikon Professional Normal Zoom Comparison for exhaustive side-by-side image examples. My tests show this 24-70mm f/2.8 is the sharpest normal zoom ever made by Nikon at least up until the VR version, but we expect that since it was the newest and most expensive.
I'm surprised that the new 24-70mm Nikkor is obviously so much better than previous lenses. When I ran comparisons against cheaper and older lenses, I fully intended to see the old stuff be about the same. Nope, the 24-70mm outdoes them all.
People rightfully ask how I can go off about how much sharper the new lens was, then in the same breath say they all look the same. The answer is simple: to see sharpness differences, you have to know how to make a lens look its worst. Shoot it in daylight at f/2.8, then look at the image at 100% on a big screen, and the differences between lenses become obvious.
That's not how we make or display pictures.
Most photos are shot properly at reasonable apertures, like f/8, at which most lenses DO look alike. Even if there are small differences visible at 100% (there aren't), these small differences become completely invisible at small amateur print sizes like 13 x 19" (30 x 50cm).
Much as someone knowledgeable in an art form can appreciate a virtuoso doing something almost impossible that seems ordinary to most people, I know how impossible and remarkable it is to make a zoom lens sharp at f/2.8 and do it without darkening in the corners on full-frame. The 24-70mm does just that. My Velvia 50 slides seem three-dimensional even at f/2.8, presuming I'm shooting tests at infinity from the mountain with good seeing conditions so everything can be in focus.
The 24-70mm also stands out from its optically excellent predecessors its lack of klunk factor. The 24-70 doesn't get in your way. The 24-70 is an exquisite hunk of solid metal that just makes pictures with no fiddling. It feels as if it was hewn from a single solid ingot.
The 35-70mm f/2.8 AF (1987-2006) works great, but you have to jack it around by moving mechanical switches to get into macro or manual focus modes, and it's a clumsy push-pull zoom. If you shoot all day with it and need to get closer than two feet, screw that.
The previous 28-70mm f/2.8 AF-s (1999-2007) eliminates the switches and has a zoom ring, but was such a big fat lens that I was always, and still am, scared of it. The first generation AFS motors were very big, so the rear end and zoom ring of the 28-70 had to be huge.
By comparison, this newest 24-70 is a solid block of smooth, easy precision. It just works, and doesn't grate on you all day shooting with it. The 24-70mm is mostly metal with an engraved zoom ring. Manual focus flicks with a light touch from one finger, a Nikon hallmark since the 1950s. AF lenses rarely feel this good for manual focus. I can shoot and zoom the 24-70 with one strong hand.
This 24-70mm focuses closer (1.2' versus 1.5' or 0.38m vs 0.5m), zooms wider (24mm vs 28mm), is 0.4" (11mm) longer and is 0.560 oz. (15.85g) heavier than the 28-70mm f/2.8 AF-S it replaces. More importantly, it's 0.2" (6mm) narrower and the zoom and focus rings turn much more freely. I measured the actual weight differences with a sample of each lens on a differential balance; Nikon's specifications vary more depending on where you read them.
The 35-70mm f/2.8 AF is much smaller and lighter than either AFS lens. If you don't mind some klunkiness and the narrower zoom range, you can get about the same optical performance in a smaller package in the 35-70mm f/2.8 AF for about $400 used, if you know How to Win at eBay.
Nikon announced this 24-70mm f/2.8 zoom on August 23rd, 2007, along with its sister 14-24mm f/2.8 lens and the full-frame Nikon D3 body. It is the latest in a long line of pro normal zooms: the 35-70mm f/3.5 AI (1977-1981), 35-70mm f/3.5 AI-s (1981-1987), 35-70mm f/2.8 (1987-2006) and the 28-70mm AF-S (1999-2007).
Nikon cameras. The following cameras use Nikon F mount:
- Nikon DSLR cameras: Nikon D6, D5, D4, D3, D2, D1, D850, D810, D800, D750, D700, D610, D600, D500, D300, D200, D100, D90, D80, D70, D60, D50, D40, D4 D5 D6 D4S osv
- Nikon film SLR cameras: Nikon F6, F5, F4, F3, F2, F, FM10, FM3A, FE10, FE2, FA, and more.
- Some mirrorless cameras: Nikon Z7, Z6, Z50 Går med ftz ftz II ftz-adapter: z6ii z6iii z7ii z8 z9 zf z fc z5 z30 osv
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Sist endret: 28.9.2024, 18:09 ・ FINN-kode: 372801226