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PÅ LAGER! Neumann U 87 Ai MT Studio Set - Før kr. 40 650,-
Til salgs36 990 kr
Beskrivelse
Dette er antagelig verdens mest kjente Studiomikrofon. Denne har satt bransjestandarden i de fleste profesjonelle studioer verden over. Skal du spille inn profesjonell lyd, så er det Neumann U 87 Ai som gjelder. Du skal lete lenge etter en bedre studiomikrofon enn dette.
Info fra produsent:
The U 87 Ai is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille.
A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion.
Furthermore, the low frequency response can be reduced to compensate for proximity effect.
Applications
The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic.
Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.
The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.
Acoustic features
The U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.
Polar patterns
The dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic.
Electrical features
The letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged.
The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.
Filter and attenuation
A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.
An additional switch at the rear allows to change the microphone’s cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier.
This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).
The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.
Info fra produsent:
The U 87 Ai is probably the best known and most widely used Neumann studio microphone. It is equipped with a large dual-diaphragm capsule with three directional patterns: omnidirectional, cardioid and figure-8. These are selectable with a switch below the headgrille.
A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion.
Furthermore, the low frequency response can be reduced to compensate for proximity effect.
Applications
The U 87 Ai condenser microphone is a large diaphragm microphone with three polar patterns and a unique frequency and transient response characteristic.
Users recognize the microphone immediately by its distinctive design. It is a good choice for most general purpose applications in studios, for broadcasting, film and television.
The U 87 Ai is used as a main microphone for orchestra recordings, as a spot mic for single instruments, and extensively as a vocal microphone for all types of music and speech.
Acoustic features
The U 87 Ai is addressed from the front, marked with the Neumann logo. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter interferences through subsonic and low frequencies are reduced remarkably.
Polar patterns
The dual-diaphragm capsule is elastically mounted and protected by a large headgrille. A switch below the headgrille selects the three directional patterns: omnidirectional, cardioid and figure-8. A window above this switch shows the symbol of the selected characteristic.
Electrical features
The letter A in the name indicates a more recent generation, as compared to the U 87 i microphones that were built from 1967 to 1986. Modifications apply to the electronic components of the microphone only; the capsule remained unchanged.
The present-day circuitry increases the operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.
Filter and attenuation
A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.
An additional switch at the rear allows to change the microphone’s cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier.
This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).
The cardioid characteristic maintains a smooth frequency response at a distance of 30 to 40 cm, the figure-8 characteristic even at a distance of 15 to 20 cm.
NB: Knappen for å vise hele beskrivelsen har kun en visuell effekt.
Nøkkelinfo
- Tilstand
- Ny
Generell info
ID Musikk AS åpnet sine dører i Kristiansand 1973. Vi er i dag en av Norges mest velassorterte musikkforretninger. Vi viser frem et stort utvalg i alle varegrupper fordelt på nesten 500kvm. I tillegg er vi en helt uavhengige og forhandler de fleste produkter/fabrikat fra inn og utland. Sjekk også ut vår nettbutikk, med over 10.000 produkter.
Piano og flygel salong:
Vi er en av få som har et stort utvalg av piano og flygel i Norge!
Til enhver tid ca.30 instrumenter utstilt.
Lyd, lys, scene og bildeutstyr:
Vi har en egen lydavdeling der vi leier ut og selger og installerer lyd, lys og sceneutstyr. Vi gjør alle typer prosjekter f.eks. multimediasystemer til skoler, kulturhus, kino, flebrukshus og konferanse.
Her kan vi levere alle type systemer fra et møterom til store systemer.
Se vår hjemmeside for mange gode tilbud www.idmusikk.no eller klikk på logoen vår.
Åpningstider:
Mandag - Fredag kl.10.00 - 17.00
Lørdag kl.10.00 - 15.00
Piano og flygel salong:
Vi er en av få som har et stort utvalg av piano og flygel i Norge!
Til enhver tid ca.30 instrumenter utstilt.
Lyd, lys, scene og bildeutstyr:
Vi har en egen lydavdeling der vi leier ut og selger og installerer lyd, lys og sceneutstyr. Vi gjør alle typer prosjekter f.eks. multimediasystemer til skoler, kulturhus, kino, flebrukshus og konferanse.
Her kan vi levere alle type systemer fra et møterom til store systemer.
Se vår hjemmeside for mange gode tilbud www.idmusikk.no eller klikk på logoen vår.
Åpningstider:
Mandag - Fredag kl.10.00 - 17.00
Lørdag kl.10.00 - 15.00
Beliggenhet
FINN-kode | 250891678 |
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Sist endret | 13.7.2024 kl. 10:12 |