Prism Sound Atlas Pro Tools HDX I/O og USB I/O med 8 Mic Pre

Prism Sound Atlas USB Audio Interface med Pro Tools HD MDIO Option card.

Dette gir deg mulighet til å bruke Prism Sound Atlas både som Pro Tools HD og HDX interface sammen med AVID HD,HD NAtive og HDX kort,og som vanlig USB Interface sammen med alle DAW´s som Pro Tools,Logic Pro X,Cubase,Wavelab,Ableton Live,Studio One,Reaper,etc.når det ikke er tilgang til AVID HD kort.



ATLAS + PT HDX MDIO Option Card!


Prism Sound Atlas MDIO PRO TOOLS HDX

REFERENCE GRADE EXPANDABLE PRODUCTION INTERFACE

Atlas and Titan are world class multi-track interfaces offering flexible expansion and unsurpassable sonic clarity. Using the latest generation of Prism Sounds trusted conversion, Atlas provides more preamps than Titan making it suitable for a wider range of recording scenarios.


UNSURPASSED CLOCKING AND JITTER REJECTION

Prism Sounds history in developing test and measurement equipment for the audio industry has allowed our engineers to get a much deeper understanding of digital clocking and its associated issues.


DIGITAL MIXER WITH FLEXIBLE MONITORING

Atlas has a powerful built-in digital mixer that can be configured to provide a multitude of ultra low latency feeds, Including foldback to performers, stereo and surround outputs.


MIC PREAMPS

The Atlas boasts 8 ultra-clean, low-noise microphone preamps that perfectly compliment its transparent A/D conversion (with software controllable phantom power, -20dB pad and Overkiller limiter switches on each channel.)


FUTURE PROOF CONNECTIVITY

With a standard USB connection Atlas can connect to the widest range of computers today and for the foreseeable future. Add to this the option of ProTools HDX and Dante modules for the most flexible and professional solution.
MDIO
MULTI-CHANNEL I/O EXPANSION

Atlas & Titan support Prism Sound’s MDIO expansion cards, which provide alternative “host” connections. The “host” is usually a computer and the Atlas or Titan interface provides a means of connection between the host and the external analogue and digital audio I/O ports.

The MDIO expansion slot provides an alternative host connection. It does not necessarily disable the USB port, but in the case of the Pro Tools interface MDIO-PTHDX, the USB port is switched off when the Pro Tools interface is to be used.

TECH SPECS
Instrument Inputs 2 x 6.3mm mono jack sockets, auto-select to analogue inputs 1 & 2 when plugged
Headphone Outputs 2 x 6.3mm stereo TRS Jacks, each with illuminated volume control
Master volume Assignable encoder / push switch with halo indication
Standby button with standby indicator (also flashes when unit is in ‘identify’ mode)
Level Meters 10 x multi-segment bargraphs with overload indication, 8 for analogue, 2 for digital, assignable to inputs or outputs
Input selection Indicate mode of analogue inputs 1-8 as Mic / line / inst with phantom power indication for mic mode
Overkiller For every analogue input, lit when Overkiller limiters are acting
Digital Input indicators for digital input unlocked and SRC (sample-rate converter) selected
Digital Output indicator for SRC (sample-rate converter) selected


Mic / Line inputs 8 x combo connectors with XLR sockets for mic input and 6.3mm TRS jack sockets for line input (balanced or unbalanced)
Line outputs 8 x 6.3mm TRS jack sockets (balanced or unbalanced)
Digital inputs 1 x RCA 1 x TOSLINK for S/PDIF or ADAT Optical input; (RCA can operate as AES3 input using XLR-RCA adapter supplied)
Digital output 1 x RCA 1 x TOSLINK for S/PDIF or ADAT Optical output; (RCA can operate as AES3 output using XLR-RCA adapter supplied)
MIDI I/O 2 x 5 Pin DIN sockets (in and out)
Wordclock 2 x BNC sockets, output and input (75R)
USB port 1 x USB 2 port
MDIO Expansion Slot For alternative digital multi-channel I/O
Mains power 3-pin 6A IEC inlet
Configuration Electronically balanced, with fully-balanced analogue signal path
Input Sensitivity Switchable ‘+4dBu’ (0dBFS = +18dBu) or ‘-10dBV’ (0dBFS = +6dBu)
Input Impedance 14.5k?
Unbalanced Mode Automatic
Total harmonic distortion -117dB (0.00014%, -0.1dBFS)
THD+N -111dB (0.00028%, -0.1dBFS)
Dynamic Range 116dB (-60dBFS)
Gain Accuracy 0.05dB
LF roll-off -0.05dB at 8Hz; -3dB at <1Hz
HF roll-off fs = 44.1kHz: -0.05dB at 21.1kHz; -3dB at 22.0kHz
fs = 48kHz: -0.05dB at 23.0kHz; -3dB at 23.9kHz
fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.9kHz
fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 78kHz
CMRR 20Hz..20kHz: >70dB
Inter-channel cross-talk 1kHz: <140dB; 20Hz..20kHz: <-120dB
Inter-channel phase 10Hz..5kHz: 0.25 ,
5kHz..20kHz: 1.0 ,
20kHz..50kHz: 2.0 ,
Overkiller Progessive limiter, auto-aligning, selectable per channel
Impact Filter High-pass filter, -3dB at 80Hz, 40dB/decade (selectable for channels 1-4; whether in line, mic or instrument mode)
RIAA de-emphasis filter Response accuracy:
0.22dB at fs=44.1kHz;
0.14dB at fs=48kHz;
0.015dB at other sample rates
M-S matrix Allows direct connection of mid-side mics, or non-matrix mic-preamps (selectable for channels 1-4; whether in line or mic mode)


Formats supported S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK)
Sample rates supported S/PDIF (2 channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz
ADAT (8 channel) 44.1 and 48kHz
ADAT S/MUX (4 channel): 88.2 and 96kHz
Channel Status ignored
Word-length 24 bit
AES3 operation via S/PDIF RCA, using RCA-XLR adaptor (supplied)
Sample-rate converter (SRC) Selectable at S/PDIF input; allowing input at any sample rate
Bit transparency Maintained (allows recording of Dolby or DTS streams)
ormats supported S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK)
Sample rates supported S/PDIF (2 channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz
ADAT (8 channel) 44.1 and 48kHz
ADAT S/MUX (4 channel): 88.2 and 96kHz
Channel Status Full implementation, Consumer (S/PDIF) or professional (AES3)
Word-length 24 bit, or reduction to 16 bits using flat TPDF dither or Prism Sound SNS (Super Noise Shaping – four alternative shapes available)
AES3 operation via S/PDIF RCA, using RCA-XLR adaptor (supplied)
Sample-rate converter (SRC) Selectable at S/PDIF output; output rate can be referenced to Wordclock, DI or local clock at 44.1, 48, 88.2, 96, 176.4 or 192kHz
Bit transparency Maintained in 24 bit mode (allows playback of Dolby or DTS streams to external decoder)

DIMENSIONS

2U 19inch rack mountable
(rubber feet and rack ears supplied)

Table top (inc feet): W: 440mm D: 290mm H: 95mm

Rack-mount (inc ears):
W: 483mm D: 290mm H: 88mm
POWER

90-250VAC, 50/60Hz internal power supply

IEC 6A connector

35W 0.5A(T) 20mm ceramic fuse

Pro Tools and Pro Tools | HDX is a trademark of Avid, a division of Avid Technology Inc.>