Metric Halo 2882 med ny 3d +DSP Upgrade m/USB-C,Ethernet,SPDIF/AES/EBU

For salg:

Metric Halo 2882 helt nytt 3d upgrade.

+DSP License for Metric Halo Plug Ins

Med 8 Analoge I/O,8 ADAT I/O

+ SPDIF/AES/EBU Edge card.

NB:Dette kan også kobles rett på ethernet!

Selges for kr.14.000,-.

The 2882 3d is a portable, high–quality, modular multi-format audio converter, interface, and processor.

8 Mic/Line/Instrument analog inputs

8 analog outputs on balanced TRS connectors

24/96k converters on all channels

Headphone amp with dedicated D/A and front panel mute/dim

Full front-panel metering

Remote gain control on all channels

AES I/O (2 Channels)

SPDIF I/O (2 Channels)

ADAT I/O (8 Channels)

All Analog I/O supports 96k

All Digital I/O supports 192k

128 Channel x 64 bus mixer (up to 192k)

Instantiable DSP processing with over 100 plugins

Integrated surround-capable Monitor Controller

Incredibly accurate DPLL clock with ultra-low jitter

Seamless hardware multi-unit unification over MHLink (mixer, routing and transport)

MH EdgeBus Card slot with support for AES/SPDIF/MADI/ADAT/TOSLINK/MIDI (depending on card)

SMUX support for ADAT and MADI

Front panel metering and control with dedicated gain knobs

Bullet-proof recording with the integrated Record Panel

MIO Console 3d

MHLink Ethernet connectivity

USB-C connectivity

Home in Any Situation

2882 3d is the perfect tool for capturing audio wherever inspiration hits, in the studio or on the road. Well suited to any recording situation, you can record and edit on the road, in the hotel, on the airplane, or wherever you find yourself. Use 3x 2882s chained together for 24 tracks of live concert recording with processing on all channels in 3 rack spaces. Location sound engineers can now capture the moment — anywhere, anytime.

When you’re done recording, use the 2882 in the studio as an extremely high quality audio interface to transfer your tracks into a DAW. You’ll be amazed at the sound of this little box! And weighing only 5 pounds, and about the size of a laptop, you can be the first one out of the gig, with no hassle, just throw the Mobile I/O into your computer bag, and you’re done!

The 2882’s pristine inputs and outputs, coupled with Metric Halo’s exclusive Character processing, provide flexibility and sound quality unavailable on any other interface. You can transition from a wire-with-gain to a gooey tube pre with one click of the mouse, and every input can have the right character for the material you are recording.

The 2882 3d provides an on-board processing engine that supports fully instantiable processing, allowing you to use Metric Halo’s world-renowned signal processing effects without sacrificing your computer’s processing power or introducing any additional latency in your monitor path. From MIOStrip to HaloVerb, the 2882 3d comes with all the basic production processing you need. And remember, this one rack space audio interface has the ability to run from any DC power source (9V-30V), making it truly and completely mobile.

A/D/A Conversion

Audio converters stand at the heart of every digital audio product. If the conversion is not up to snuff, you might as well toss the product out the window -- as the best you can hope for is that it doesn’t damage your precious audio (or reputation) too much. No matter how good the DSP is, if your converters don’t capture (or render) your audio accurately you are starting at a deficit.

RackAudio conversion is something that is more than the sum of its parts. You can’t simply look at the converter chip and determine how something is going to sound. Excellent audio conversion requires careful attention to detail and the tuning of every element of the entire conversion system; this includes the analog front end, the power system, the clock and the converter chip itself. As all of these interact with each other in nonlinear ways, it is the system that determines the performance, and not any of the individual parts. As any system can be no better than it’s weakest link, it is vitally important that the component you use to capture and render all of your audio is not the weakest link in your system.

The analog converters in the 2882 provide exceptional conversion that also has a “Sound”. The 2882 has subtle FET distortion in it’s input that gives your signal some additional analog warmth. Since this warmth is captured, you can rely on the fact that you are hearing what you are delivering. I

Since the 2882 3d connects seamlessly with other members of the 3d family, you can get accurate conversion and monitoring with another 3d product while taking advantage of the “sound” of the 2882 and the low cost per channel that it provides.

Monitoring

Monitoring is critical to the production process at every stage; you need to be able hear exactly what you are working on. Your monitor chain will be limited by the weakest link in the chain.

The 2882 3d integrates a transparent digital Monitor Controller to ensure that you can use with the line output paths or via external converters or digitally connected speakers.

The Monitor Controller in the 2882 3d provides sophisticated monitor control features that are only available in dedicated monitor controllers that paradoxically cost far more than the 2882 3d. These features include:

Multiple source selection

Multiple speaker output selection

Shared speaker set support

Per speaker gain and delay

Per speaker solo/mute control

Output path calibration support

Multichannel support from Stereo up to 7.1.4 Surround (Dolby Atmos®) with external converters

Mono fold-down

Mute and Dim

Analog domain gain control

Talkback

Listenback

Multiple cue output support

PFL/AFL integration with the mixer

In addition to all these high-end features, the MH Monitor Controller provides unique support for per-output-path configurable signal processing including EQ, Bass Management and protective limiting. Each output path can have its own signal processing, even if the paths share speakers. This allows you to configure alternate monitoring setups with one monitoring system (for example, you could configure the signal processing to provide a band-limited monitoring path or a path that lacks subwoofer reinforcement).

Each 2882 3d includes a high quality headphone amplifier fed by the monitor path D/A conversion with independent analog domain gain control. So you don’t need to add a headphone amp to your system.

2882FP-Stack10

Cue Control

In addition to monitoring the mix in your control room, multitrack production requires providing multiple output cues to performers and other stakeholders (such as producers and/or broadcast feeds).

The Monitor Control in 3d is enhanced by a sophisticated Output Cue section that provides you with an arbitrary number of output controls. Each cue can be driven from any of the busses in the system, or it can be set to derive its input from the currently selected source in the Monitor Controller (MC).

Since each Cue can be driven by a separate mix bus from the mixer, they are perfect for routing and controlling independent headphone mixes for individual performers.

Cues can be configured to listen to PFL/AFL (or not). So for producers and engineers, the cue can follow PFL/AFL Solo in the mixer while performer and broadcast cues are unaffected by soloing.

Each cue has an independent output path which can be set to any of the MC supported output types. Each cue controller uses the MC engine for its control of routing, gain, delay and output graph processing, so it can do all the things the MC can do.

Cues are not Mixes. Cues are output points with gain and routing controls that can be fed by specific mixes, the current monitor controller source, or a mix of a source and the talkback signal. They serve as named output mults with direct access to associated output gain controls.

Cues form the basis of the routing points for Talkback and Listenback.

Talkback provides the ability to route a specific input to any sub-set of the cues in the system; it also allows you to control the amount that the Cue source signal is dimmed when talkback is active. The Talkback signal is mixed with the selected source.

Listenback provides the ability to route the source that the engineer is currently monitoring through the MC to any sub-set of the cues in the system. This allows playing back a mix of the take to any or all of the monitoring cues in the system without having to re-patch.

Processing

2882 3d includes sophisticated digital signal processing engine that is only limited by your imagination. The mixing engine and audio router built into each unit is capable of mixing 128 inputs to 64 busses at all sample rates (up to 192k) with every gain interpolated on a sample-by-sample basis. This custom dedicated mix engine utilizes the equivalent DSP power of 30 of the SHARC DSPs that were used in our previous generation product.

Each 2882 3d also includes a programmable DSP that supports the instantiation of arbitrary DSP processing plug-ins; this is used for insert processing in the mixer and for output processing in the Monitor Controller. 2882 3d includes over 100 plugins that you can use for low-latency monitoring, live mixing or in production. The DSP in 3d has 1GB of DDR3 RAM available so long delays and multiple reverbs are not a problem.

The +DSP license included with every unit provides Metric Halo’s unique Graph insert which allows you to build your own signal chains with arbitrary phase compensated routing between plugins. You can insert a Graph in any insert slot in the mixer and as output processors in the Monitor Controller.

The 3d system enhances the processing engine included in each unit by routing between multiple units and utilizing the resources of all units attached via MHLink as one unified system. Your DSP and mixing resources are pooled. This allows you to seamlessly grow your system one unit at a time - all the way up to 128 channels of simultaneous input and output! All your inputs (including inputs from the computer) are available as sources in the mixer and monitor controller. All your outputs (including returns to the computer) are available as destinations for the mixer, monitor controller, cue system and direct outs.

BackPanel

MH EdgeBus Cards : The Ultimate Plugins

Every 3d-based unit includes an MH EdgeBus Card slot to provide additional flexibility in configuration. The EdgeBus is a programmable high-speed plugin slot that accepts a variety of audio interfacing cards. Its programmable design and full access to all the audio clocks and power rails allows for the creation of a wide variety of digital, analog, processing and interfacing plugin modules.

The currently available modules include (with I/O channel counts listed):

AES/SPDIF EdgeCard (4 in/4 out)

DB-25 AES EdgeCard (8 in/8 out)

SPDIF + MIDI EdgeCard (2 in/2 out + MIDI I/O)

SPDIF + 2x ADAT EdgeCard (18 in/18 out)

2x SPDIF + 2x ADAT EdgeCard (20 in/20 out)

4x ADAT EdgeCard (32 in/32 out)

2x MADI Optical EdgeCard (128 in/128 out)

1x MADI Optical + 1x MADI Copper EdgeCard (128 in/128 out)

4x MADI Copper EdgeCard (256 in/256 out)

The EdgeCard modules are field installable/swappable and the hardware automatically detects the type of the installed card. All EdgeCard audio channels are first class I/O and may be used just like the built-in channels; all I/O is available simultaneously.

You can use EdgeCards to interface with other systems, get additional I/O via third-party A/D/A converters, provide ingest paths for digital recorders, or to patch into your existing digital console (e.g. via MADI interfacing).

The high-channel counts achievable via MADI interfacing means that you can use your 2882 as additional headamps, side car processing, or as a multitrack recorder for your console.